

Over the course of two months, the artist hand-drew more than two hundred cups. None of the works began with sketches; each drawing emerged through an intuitive process of continuously responding to the shapes, colors, and patterns gradually appearing on the paper. Rather than deliberately designing the cups, the artist allowed them to grow organically through the act of drawing itself.
Viewed individually, each image feels intimate and playful; presented together, qualities of repetition, variation, and continuity begin to emerge. As familiar domestic vessels, the cups become containers for emotion and consciousness, allowing consciousness to reconnect with the external world through the gradual construction of rhythm.




Over the course of two months, the artist hand-drew more than two hundred cups. None of the works began with sketches; each drawing emerged through an intuitive process of continuously responding to the shapes, colors, and patterns gradually appearing on the paper. Rather than deliberately designing the cups, the artist allowed them to grow organically through the act of drawing itself.
Viewed individually, each image feels intimate and playful; presented together, qualities of repetition, variation, and continuity begin to emerge. As familiar domestic vessels, the cups become containers for emotion and consciousness, allowing consciousness to reconnect with the external world through the gradual construction of rhythm.